Walking on the Moon

The Big Picture aims to propagate a physics-based philosophy and worldview. I am sympathetic to an overall non-supernatural outlook and science as a basis for finding objective fact in a confusing world viewed through imperfect senses and idiosyncratic thinking organs. I think Sean Carroll reaches further than he reasonably can in an effort to build a theory of everything, but his attempt includes many perceptive and thought provoking ideas.

Carroll is a physicist well versed in cosmology and quantum theory. He starts by combining our incomplete understanding of these disciplines into an overall description of the physical universe. Though I mentioned that our understanding of those ideas is incomplete, one of the compelling ideas that Carroll puts forth is that our understanding is complete enough to resolve the overall state of the universe. He supports the justification the consistency of, explanatory power of, and evidence for those theories justifies relying on them. I think that’s compelling, but then I showed up pretty close to that; not everyone will agree, but he lays out a clear position.

When he begins to apply Bayesian analysis and conditional probability theory to belief levels, I start wanting to argue about it. As he extrapolates further from other mathematics and physics into a life philosophy and moral basis, I find more to disagree with. I reject parts of his worldview, but my personal views are incongruent with most people’s. I don’t think any two people will agree completely on those big issues.

The value I see in Picture is that Carroll builds his perspective clearly and directly from modern cosmology. He uses mathematics and other ideas as metaphors when not directly applicable. The book sparked some interesting ideas even when I disagreed with them.

Recommended.

Rivers of Gold is the first volume of Hugh Thomas’s trilogy of books on the Spanish Empire. I picked it up as part of my ongoing interest in South and Central America.

Thomas is an old school British historian and Rivers is correspondingly well researched and clearly delivered. His style is unexpectedly accessible and almost inviting. The combination of invitation and educational focus makes it feel like a great history class.

The research and references are all solid without being overbearing. I think the notes and bibliography provide a solid basis for further exploration.

The overall narrative balances the push and pull of Spanish royalty in Europe and the almost internecine Caribbean politics. Having gobbled up Conquistador and basking in the Western Hemisphere insanity, I’m pleasantly surprised to find that the European politics has a different complimentary flavor.

Recommended.

I read 34 books in 2018. Here are the ones I strongly recommended

• Little Fires Everywhere
• Enemies and Neighbors
• The Rituals of Dinner
• Gnomon – a must!
• Locking Up Our Own
• Colony in a Nation – a must!
• The Forever War
• How Everything Became War and the Military Became Everything
• Desert Solitaire – a must!
• Stranger in a Strange Land
• My Heart is an Idiot
• The Line Becomes a River
• Parable of the Talents
• Founding Mothers
• From Beirut to Jerusalem
• Conquistador
• The Perfect Weapon
• The Fifth Season
• The Lone Ranger and Tonto Fistfight in Heaven

I either read better stuff, or my grading is getting softer. You can see the full list of my 2018 capsules.

Susan Orlean opens obscure cultures and places to readers through her insightful writing. In The Library Book she takes on one of my favorite institutions – the Los Angeles Central Library (and the Los Angeles Public Library (LAPL) in general)

The LAPL anchors LA’s literary landscape, educational resources, and community outreach. It is a powerful and fascinating resource and I am delighted to be a contributor to it, just to slap a bias on the table.

Beyond that, the history of the place is in the center of the unique and chaotic confluence of forces that is the insanity of LA history. The parade of people and politics that swirl about the founding and evolution of the early history of the LAPL routinely drops your jaw. It’s lively and delightful, including an early (female) director who is voted out and basically responds by saying – “you want the keys? Come and get ’em.”

That’s without considering the 1986 arson that nearly destroyed the place and the subsequent conspiracy-theory-fertile legal wrangling after it. As remarkable is the powerful restorative response of so many parts of LA’s community. Orlean relates this all with the power and mystery it deserves.

Beyond the historical, Orlean takes pains to capture the eclectic feeling of the library. It is a backbone of so many facets of the city and community that no one view could capture it all. She builds a lively collage of perspectives that illuminates the library’s many roles in LA’s pageant.

Any admirer of libraries, history, or community will find much to love here.

Strongly recommended.

Critics were nearly universal in their acclaim for The Lone Ranger and Tonto Fistfight in Heaven when it first appeared, and the book has held its reputation and has been republished several times. In my opinion, the critics nailed it.  Sherman Alexie’s perspective encompasses the universal experiences of society’s forgotten and the specific context of Native American Reservation life. He can sling poetic prose like few others.

The result is a series of potent shots of rotgut language that appall and enlighten with unbalancing power.  It’s the kind of book that one can go on a bender with or nurse over time.  One way or another, I encourage readers to try some.

Strongly Recommended.

People build their world from shared stories and I enjoy hearing others’ stories.  This narrative wanderlust led me over to the retelling of a set of Hawaiian myths by no lesser a source than King David Kalakaua.  He was the last male monarch of Hawaii, and seems to have a respect for the material tempered with a scholar’s instinct for context.  He is well versed in Hawaiian and Western traditions.

Hawaii has a shorter history than Europe or America.  The islands were unsettled before a few hundred years CE, and settlement seems to have been transient until circa 800 CE.  They can sustain humanity but they’re far enough from human settlement that bootstrapping their habitation was difficult.  One interesting aspect of that history is that the islanders claim a merged history and mythology that remains in the dim clouds of human memory.  Kalakaua imbues his discussion with both a realism for historical accuracy and a literary appreciation for the power of myth.

The legends are a combination of cheer leading for the various royal lines and tribal powers and general chauvinism for the emerging nation.  Kalakaua frames each with a political and social framing that helped me understand who has a stake in the power of the legend.  Then he dives in and tells the story as a story.  It’s enlightening in ways that many tellings of Western myths are not.

Recommended.

N. K. Jemisin has won the Hugo award for Best Novel for the last three years in a row.  It’s the kind of thing that eventually catches my attention, and I’m happy that it did.  The Fifth Season is the first of these three and a well deserved honor.  Jemisin shows off so many of the things I love about SF: careful world building, believable characters, and beautiful writing.

She creates an world that is exotic and intriguing while remaining connected to ours.  As most great SF authors do, she twists the world in a few comprehensible ways while keeping closely enough in touch to mirror reality. There is meaty commentary here on both fiction and reality that lands with a light touch. That is to say that the world is immersive and the story crackles along snappily.  One can enjoy the ride without deep thought.  If you like deep thinking, the world ignites and supports it.

Key to making a believable world is looking out at it through the eyes of a real person and seeing other real people.  Nemisin’s people are clearly of her world while being comprehensible to those from ours.  While much is indubitably made of the racial and sexual inclusiveness of her players, I find them at least as diverse in their worldviews and social backgrounds.  They are all genuine and interesting and complex enough that none of them is completely admirable or static.

True characters in a wide world are the catalysts for a great story but Jemisin’s writing is the cherry on top.  Her writing is structurally powerful.  It reveals the world and characters in a Salome-like dance, simultaneously enticing, propulsive and deceptive.  Plot, character, and theme all appear and deepen with brilliant timing.  The specific writing is a delight as well.  Individual sentences sometimes twirl as they conclude, bringing insight, horror, or power to the narrative.

And that closer…

Strongly Recommended.

Many of the cool kids know that RadioLab is one of my regular podcast listens and the US Constitution is my favorite government spec.  RadioLab has taken the Constitution and mixed it liberally with Schoolhouse Rock – another favorite – to produce The Most Perfect Album.  These are original songs based on the 27 Amendments to the Constitution.

If that description didn’t start you downloading it, I’ll point out a few highlights:

• Dolly Parton’s 19th Amendment country-pop song
• Flor De Toloache’s Mariachi 2nd Amendment song
• Sarah Kay’s 14th Amendment poem
• Bettie Smith’s 13th Amendment gospel song
• The Slants’s 18th & 21st Amendment alt-rock anthem

It’s free! Check it out!

Alfredo Corchado is a Dallas Morning News reporter with a foot in the US and Mexico and in Midnight In Mexico, he organizes and memorializes his experiences in Mexico.  Those experiences open with a narco-driven death threat, so this isn’t a rambling, cuddly memoir.

It is a memoir of deep feeling and detailed reporting. I learned a lot about Mexico’s transformation into a state under siege from drug traffickers.  I learned more about the hearts of people who have to live in that transformed world.

Corchado’s research and journalism is compelling stuff.  You don’t get many death threats for erroneous stories, though, of course, I can’t check it. I picked up a bunch of book learning here.

I also admire his style.  Many of these stories are deeply emotional and tie to his family.  He tells them as stories that one would tell a friend in a bar.  He doesn’t dwell on the emotions, but they are plain nonetheless.

There’s much to like here.  Recommended.

I’m getting interested in South and Central American history because I don’t remember much about it, nor did I learn a lot of it in school.  As I learn more about US history, the echos of its past become clearer.  Because I live in Southern California, I hear those echoes from the south of me as well.  And some of those echoes ring with eccentricity.  I’ve got to dig in and find more.

Símon Bolívar is a big enough name that even I have heard of him.  That’s like saying a few people have heard of George Washington, of course.  As with Washington, the real story is more complex and enlightening.  Bolívar is liberating Gran Columbia and Venezuela from a different enemy in the shadows of the American and French Revolutions.  He also comes from a different, more aristocratic stock and culture.   His path is littered with politics great and small and stronger urges for personal glory.  It is utterly fascinating to see how these differences play out in terms of Bolívar’s historical placement and the history of the nations he liberated.

Robert Harvey makes a good guide in that journey.  His prose is clean and his research seems sound.  The figures and cultures sparkle under his descriptions.  As with Conquistador, the text seems to be combining known texts rather than pushing new agendas.  Perfect for me.

Recommended.