Walking on the Moon

This turns out to be the kind of quirky sitcom someone of my age might have run into in a neglected time spot on an off channel. It’s the kind of show you wouldn’t quite believe was aired until you ran into someone else who had gotten into it and you wound up spending a couple hours talking about it at a party. It’s working inside the form but with the kind of stylish takes that seats it in its own world. It’s not where you live, but is fun to spend time in. Sonoko Machida does a great job creating that feeling in a novel.

The whole thing is set in a seaside Japanese town, specifically in a convenience store. But, it’s a quirky TV sitcom convenience store. There are larger than life employees, a weird ecosystem of neighbors, some customer or employee with a problem- one to a chapter – and strange product placement moments for the fictional products of the fictional store seamfully inserted. It’s all quirky and fun and I quite enjoyed spending time there.

Recommended.

Annalee Newitz’s latest is a simple book to sum up. Some robots open a noodle shop. There’s more to that to it, of course. To the pot Newitz adds politics, decency, a love of San Francisco, and a delightful sentient contract that wants to live and not ask too many questions.

It’s a lot of fun, compassionate, well written, and has interesting ideas. It does seem a little shallow and maybe YA. That’s not a criticism. This is a good book to hand to younger readers or to take to the beach or on a flight.

Recommended.

John Scalzi is very good at finding a good hook for a story. Redshirts and Starter Villain can both be described in a sentence and are fleshed out into interesting fun reads. When the Moon Hits your Eye is the same. The hook is that one day Earth’s moon inexplicably turns into cheese. He spends the rest of the book looking at how that affects people.

Scalzi does a really nice job picking the people he’s going to talk about and also the topics he’s going to use them to touch. There are little stories about how headlines drive entertainment, and deep moments of grappling with the ineffable. There are lots of funny moments and the prose crackles.

At the end, though, the word I’d use to describe this book is “sweet.”

Strongly recommended.

I really admire the folks who have taken a swing at summarizing Tricia Lockwood’s Will There Ever Be Another You, because it’s such a thankless task. I mean most of the ones I’ve looked at seem accurate – or at least defensible – but none of them really captures the experience of reading it.

A summary is never the totality of a book, but there is so much going on in here in so many ways, that you’re going to leave the path pretty quickly. And I say that with delight. Whatever is going on in Another You, I liked it.

Lockwood is a poet – it says so right here in this novel – and perhaps that’s why so many lines of this book are whole worlds unto themselves. Any single sentence can send you down the rabbit hole. And they just keep coming, those sentences. It is fascinating and amazing that she can also make those sentences cohere into a story that can be incompletely summarized as well.

This all worked for me, but it is definitely a big swing. You’ll know pretty quick if it’s for you.

Strongly recommended.

The last book in Becky Chambers’s Wayfarers series is in a lot of ways more of the same. It’s a small character-driven story set in a well imagined SF universe. No galactic overlords will be out of a job at the end, but I find myself cheering anyway.

Galaxy is beautifully written, and I find that the universe Chambers has built is just right for looking at ideas from enough of a new angle to spark insight. Nothing’s opaque, but it is often fresh.

Chambers work often signals its themes by what’s missing in the story. In this story, human characters are not on stage much, but humanity abounds. If you find yourself looking at our world and believing that people who believe things that you can’t are space aliens, consider spending some time with these space aliens. I found it refreshing and enlightening.

Strongly Recommended.

This is another Murderbot novel, and I’ve not had much to say about the preceding chapters beyond “good fun.” in Network Effect, I found that Martha Wells brought together a lot of the character threads that she placed in earlier novellas into a powerful emotional climax in the middle of a rollicking space adventure.

She has spent those early novellas putting the sets in place and establishing character details that feel like tropes – and in some ways are – that are combined here to have more depth and power than I had been expecting. She snuck up on me, she did and in the best way. I’m not going to say much more so she can sneak up on you.

Strongly Recommended.

Record of a Spaceborn Few is Becky Chambers again creating a character drive SF story in a richly textured world. It’s more a coming-of-age story than an adventure story, but those are adventures in their own way.

I re-read my gushing review of A Closed and Common Orbit and a lot of what I said there applies to Record as well. It’s set in a different part of her galaxy, but the same intricacy and depth is there. As many SF authors do, she creates a society based on familiar social principles pushed far enough to make things unfamiliar and uses that to talk about those principles. I find the way those ideas are explored is more thoughtful and reasonable than many more polemic versions of that setup.

Her writing remains impeccable, though I did find one chapter a little more on the nose than I was expecting. It didn’t take me out of the story, but it did jar a bit.

Strongly Recommended.

I do like me some Carl Hiaasen. Fever Beach is his usual chaotic and comedic send up of politics and people who annoy him. This time he’s set his sights on right wing militia types and politicians who take advantage of them. I’m no fan of fools with guns or folks who use them for their own ends, so I enjoyed Fever Beach a good deal.

I think this was written before the uptick in ICE enforcement. I understand that these are different, but if you are looking to escape from images of folks in camo toting guns around American cities, I’d escape elsewhere.

Recommended.

I normally read books in the strict sense of the word, which is to say I don’t do a lot of audiobooks. That’s not prescriptive, it’s just the way I generally prefer to engage with books. But Nate DiMeo who does The Memory Palace, read the 1930 version of the The Secret of the Old Clock when it entered the public domain this year. I’d heard him read Walt Whitman’s Song of Myself as a bonus episode of the Memory Palace before the 2016 election. That so entranced me that I pretty much listen any time he wants to read a long form piece. So, Nancy Drew.

I quite liked it. The mystery is twisty enough that it keeps you engaged, even if the title gives a bit away. The characters are for kids, so there’s only so much going on there. But everything worked and was engaging enough without talking down too far.

What I really did enjoy was seeing how 1930 the whole book was. There’s a plot point about the fact that many roads are still unpaved. One of the characters is an elderly woman whose health is declining rapidly and without a family around her, there’s really no hope of health care without having substantial means. And the depiction of a black caretaker is right out of Amos and Andy. Nate read the book cold and his surprise at this portrayal is a thing. He presses on, but he’s outright apologetic at several points.

It was also interesting to see what people put in children’s books at the time. The strict gender roles are in effect, but Nancy is depicted as being very self-sufficient. I remember a line to the effect of “Of course, Nancy Drew could change a tire, but didn’t relish the task.” She also fixes a boat engine. Great stuff. There’s some evidence pilfering and illegal liquor as well. I think I support all of that when needs must.

I see there was a 1959 rewrite, which I expect sanded some of those edges off, but having a look at the original was good fun.

Recommended.

This wasn’t what I was expecting at all. The elevator pitch for this was that Percival Everett wrote a version of Huck Finn from Jim’s perspective. And it is that, as much as it’s any one thing.

I think a fair amount of the fun of James is riding along with Everett and figuring out what he is up to. I will say that I think he does a good job capturing the flavor of Huck Finn, which is such an oddball of great literature that I’d be hard pressed to describe that flavor with any precision. My review above mentions that in Huck Finn “there are many moments of lyrical beauty; laugh-out-loud bits of humor; huge moments of grappling with good and evil.” I think all that is true in James as well.

Strongly Recommended.