Walking on the Moon

A few words about Berg’s Lindbergh bio are up on Bell, Book, and Candle.

My capsule of David McCullough’s history of the Panama Canal is up at Bell, Book, and Candle.

Will Eisner’s The Spirit #17, Aragones, Evanier, Amancio, Austin.  These guys continue to get the Spirit himself to ring pretty true, but to make me wonder who the supporting cast is.  This issue turns Ellen Dolan into a one-dimensional clingy man-grabber rather than the intelligent, capable woman I prefer to see.  It makes me sad to see sub-I Love Lucy characterization of her after Cooke’s more nuanced treatment.  To add injury to insult, Ellen’s drawn as anatomically impossible, and not in a good way.  Not my favorite issue.

Captain America #38, Brubaker, Epting, Perkins, D’Armata.  Man, you know it’s going to be a long week when the best you can say about Captain America is that it was a superior super-hero book.  I mean it is and everything, but nothing sparkled too much for me.  Though, is it just me or is Dr. Faustus beginning to look like he’s running the show?  I’d swear I saw him talk back to the Red Skull and the Skull took it, which is not SOP.  Maybe not such a dead issue after all…

Grendel: Behold the Devil #7, Matt Wagner.  What in the world happened here?  Did Wagner just defuse the whole tension of his narrative to give me a 12-page recap of the 80’s Grendel series?  Why would anyone do that??? I’m enough of a completist to come back and see Hunter snuff the two red herrings next issue, but I don’t know why anyone else would.  I know Wagner’s usually more interesting than this, but I really don’t see the game here. Bizarre.

My short review of Richard Russo’s Empire Falls is up on Bell, Book, and Candle.

On Bell, Book and Candle, as usual.

Uncle Sam and the Freedom Fighters #8, Palmiotti, Gray, Arlem. This ends the mini-series, and I can’t say I’m sorry to have it done. The best issues of this were very good, but overall the series suffered from a lack of focus. It’s like there were a bunch of storylines they wanted to tell and couldn’t pick one. And even that could have worked if they’d gotten the 8 issue pacing right. They clearly missed; this issue features several attempts at characterization gasped between moments of the climactic struggle on the deck of an invading alien armada. Now, if those attempts are a single sentence that sums up characters relationships that have been building, it can work. These were exposition-heavy soul-baring discussions, and they weren’t so believable.

Black Summer #6, Ellis & Ryp. This has paced itself out nicely. I suspect it will read even better collected, but for now all the pieces have fought their way to their positions for the climax, and though the threats are all clear, the outcome is in doubt. Even the colors seem less dim this issue. Very fun stuff.

Will Eisner’s The Spirit #16, Aragones, Evanier, Smith. This was a pretty good issue, a light-hearted procedural in a colorful setting. Now, a movie set as a site for actual satire has been done to death, but things are kept light and fun rather than any attempt at social commentary. The Spirit goes undercover and works out the details of a Hitchcockian murder. Nice action, good dialog, even the Spirit himself seems dead on. Nice issue. I guess I’m mostly down on this team for not getting the characterization of the supporting cast pitch-perfect, but this issue shows that they can make the main character and his world work well.

Badger Saves The World #5, Baron and Dose. The Badger’s return stumbles dazed across the finish line. Honestly there are more glimmers of Badger goodness in this issue than it deserves, including a two-panel exchange between Daisy and Ham that makes them live. I think Baron had begun to slip back into the characters’ skins. If this were an ongoing series, I’d be seeing signs of life, even after the unfortunate derailing of the artist last issue. Sigh.

Grendel: Behold the Devil 6 of 8, Wagner. The last time I did a set of reviews, the watchword was “pacing.”  Behold the Devil is a nicely paced series.  The slow burn of the first 5 issues comes to a nice boil here, and Wagner ends the issue with a sharp twist.  Nicely done, and for the first time I’m anticipating the next issue rather than hanging around for it.

Captain America #37, Brubaker, Epting, D’Armata. A new arc begins, the Skull gloats, Sharon squirms, Bucky faces Cap’s old friends and the big reveal from last issue comes into more focus.  If this were a chess move, it would be something quiet and positional, but sound.  I’m not gasping with excitement, but everything’s moving well.

War Is Hell: The First Flight of the Phantom Eagle #1 & #2, Ennis and Chaykin.  Though this is in some sense a revamping of Marvel’s Phantom Eagle character, it’s really a story of WWI fighter pilots told by Garth Ennis and illustrated by Howard Chaykin.  Ennis’s war stories are always excellent with a gritty realism and incongruous grandeur that makes you laugh and pulls your heartstrings.  Chaykin’s art is precise and intricate with a keen design sense and a wicked sense of humor.  The combination is delightful.  And I’m a sucker for WWI flying stories.  I’d buy it for the pretty drawings of Sopwith Pups and Fokker Albatrosses, but to have a great Ennis story attached is a huge bonus.

Highly recommended.

Badger Saves the World #4, Baron and Dose. What happened here? Things went completely off the rails; Caron was apparently not up to the publishing schedule of the book and is gone. The new guy, Dose is kinda thrown in the deep end and doesn’t make it all work. There are parts of this issue where I’m not even sure what’s going on – and not in a good way. If you’re not a Badger competist I’d stay away.

The Last Defenders #2 (of 6), Casey, Giffen, Muniz. I want to like this, and it’s not happening. A third of the way in, I haven’t found any character whose fate interests me or who I can identify with or pull for. I’ve been kind of enjoying the Flaming Skull’s ongoing wise cracking, but that doesn’t a book make. I’ll probably drop this.

Will Eisner’s The Spirit #15, Argones, Evanier, Smith. Man, I’m still not loving the new team. The art is really nice. if anything it’s maybe a tad too imitative of Eisner, but I can’t really argue with clean lines and good storytelling. The real problem I have with this issue is that I feel like P’Gell isn’t handled quite right. My image of her is of someone a little more on top of The Spirit. It’s rare that the Spirit ever gets the best of her, and then she seems to pop back to the surface like a cork. Her being the half-assed mastermind of this convoluted diamond smuggling plan just didn’t work for me. Your mileage may vary, and the art’s very good.

Uncle Sam and the Freedom Fighters #7 (of 8), Palmiotti, Gray, Arlem. The pacing of this book is staring to drive me to distraction. I expect that the creative team had some ideas running around from their previous series that they wanted to resolve, but they really seem to have paced things badly. The first few issues were nice set-ups – and even thoughtful and interesting in places – but now everything’s just happening at once because there’s only one issue left. This doesn’t give a feeling of climax to the final issue, and the whole series seems rattly and disjointed. Missed opportunity.

Captain America #36, Brubaker, Guice, Perkins, D’Armata. This, on the other hand, is a pretty good example of pacing. The Skull’s plan bubbles along, new revelations are made, old characters part ways, and the tension keeps a general upward trend. It’s telling that the ending of 35 left a lot of balls in the air, but one clear question :”how’s Bucky going to do against Sin and the Serpent Squad.” This issue ends on a similar cliffhanger.

But, along the way, we continue the theme of exploring the differences between Bucky and Steve in the Captain America suit, which is really an exploration of who Captain America is. And with CA being the Marvel ideal of an American hero, this is ultimately an exploration of what a hero is.

And there are fight scenes!

It’s a great book. If you read superheroes at all, you should be reading this.

All-Star Superman #10, Morrison & Quitely. Morrison and Quitely’s illumination of Superman is thick with in-joke nods, but rich with heart. It’s also as good as anything out there in super-hero land. This issue continues to develop the “Superman is dying” plot that has driven much of the series (updating a classic “Last Will and Testament of Superman” story, of course), and showing us what Morrison and Quitely think is most important about Superman. It’s a slow, nuanced issue that still manages to build tension.

Young Liars #2, David Lapham. I didn’t like this issue much. I know it’s supposed to be kinetic and loud as a great punk song, but it just felt rushed and forced to me. I usually like Lapham, so maybe I was expecting too much.

Doktor Sleepless #6. Ellis & Rodriguez. Clearly bookending the first arc, this issue was a little too much fact and not enough plot and characterization for me. After the last couple issues where the characters seemed to breathe and move of their own accord so much, this felt very expository. There’s even a character summarizing the plot in bulleted lists, which is as clumsy as it sounds. Hopefully this is just a pause as the next arc kicks in the afterburners again.

Anna Mercury #1. Ellis & Percio. I’ve been picking up a lot of new first issues lately, it seems, and by and large they’re OK. Most draw me in enough to read another issue and see how things pick up. A few don’t hold me at all. A first issue is a really difficult thing to do right; even some of the most influential series around have mediocre first issues.

In Anna Mercury #1, Ellis and Percio show us how it’s supposed to be done. We’re dumped into the action taking place in an interesting world that’s shown to us in glimpses germane to the headlong action that the mysterious protagonist drags us excitedly into. There are enough familiar action/sci-fi tropes to lean on that we can barely keep our bearings even as we see where our protagonist violates those tropes. The issue winds to a cliffhanger that will draw us back for the next issue: How’s she getting out of this? And then the last page pulls 20 G’s zooming us up 30,000 ear-popping, mind-bending feet to where a hundred new questions scream at us while Anna’s still hanging from that cliff below.

If you can read this and not need to buy the next issue, you may want to stop buying comics altogether.

Short reviews of Schroedinger’s Ball, Crime and Punishment, The Princess Bride, and Sharpe’s Eagle are up on Bell, Book, and Candle.